Track (rail transport)

The track on a railway or railroad, also known as the permanent way, is the structure consisting of the rails, fasteners, railroad ties (sleepers, British English) and ballast (or slab track), plus the underlying subgrade. It enables trains to move by providing a dependable surface for their wheels to roll. For clarity it is often referred to as railway track (British English and UIC terminology) or railroad track (predominantly in the United States). Tracks where electric trains or electric trams run are equipped with an electrification system such as an overhead electrical power line or an additional electrified rail.

The term permanent way also refers to the track in addition to lineside structures such as fences etc.

Structure

Traditional track structure

Notwithstanding modern technical developments, the overwhelmingly dominant track form worldwide consists of flat-bottom steel rails supported on timber or pre-stressed concrete sleepers, which are themselves laid on crushed stone ballast.

Fidelipac

The Fidelipac, commonly known as a "NAB cartridge" or simply "cart", is a magnetic tape sound recording format, used for radio broadcasting for playback of material over the air such as radio commercials, jingles, station identifications, and music. Fidelipac is the official name of this industry standard audio tape cartridge. It was developed in 1954 by inventor George Eash (although the invention of the Fidelipac cartridge has also been credited to Vern Nolte of the Automatic Tape Company), and commercially introduced in 1959 by Collins Radio at the 1959 NAB Convention. The cartridge was widely used at radio stations until the late 1990s, when such formats as MiniDisc and computerized broadcast automation made the Fidelipac cartridge obsolete.

History

The Fidelipac cartridge was the first audio tape cartridge available commercially, based on the endless-loop tape cartridge design developed by Bernard Cousino in 1952, while Eash shared space in Cousino's electronics shop in the early 1950s. Instead of manufacturing the Fidelipac format himself after developing it, Eash decided to license it for manufacture to Telepro Industries, in Cherry Hill, New Jersey. Telepro then manufactured and marketed the format under the Fidelipac brand name.

4-track

4-track or 4-track tape may refer to:

Women (album)

Women is the debut album by Calgary band Women, recorded by fellow Calgary-native Chad VanGaalen. It was released in 2008 on VanGaalen's Flemish Eye record label in Canada, and on Jagjaguwar in the US. The song "Sag Harbour Song" is a direct reference to the suicide of the artist Ray Johnson, like "Locust Valley" and "Venice Lockjaw" on Women's second album of 2010, Public Strain.

Recording

Women was recorded by Polaris Music Prize-nominated Chad VanGaalen, in "[VanGaalen's] basement, an outdoor culvert and a crawlspace." It was recorded using boom boxes and tape machines, contributing to its lo-fi sound.

Reception

Women was released to favourable reviews, with Cokemachineglow naming it as "the best 'indie rock' record released [in 2008], hands down."

Track listing

References

External links

Women (1997 film)

Women (French: Elles) is a 1997 internationally co-produced drama film directed by Luís Galvão Teles. The film was selected as the Luxembourgish entry for the Best Foreign Language Film at the 70th Academy Awards, but was not accepted as a nominee.

Cast

See also

References

External links

8½ Women

8½ Women is a 1999 comedy-drama film written and directed by Peter Greenaway, and starring John Standing, Matthew Delamere, and Vivian Wu. The international co-production (the United Kingdom, the Netherlands, Luxembourg, and Germany) was entered into the 1999 Cannes Film Festival.

Plot

After the death of his wife (Claire Johnston), wealthy businessman Philip Emmenthal (John Standing) and his son Storey (Matthew Delamere) open their own private harem in their family residence in Geneva (they get the idea while watching Federico Fellini's 8½ and after Storey is "given" a woman, Simato (Shizuka Inoh), to waive her pachinko debts). They sign one-year contracts with eight (and a half) women to this effect.

The women each have a gimmick (one is a nun, another a kabuki performer, etc.). Philip soon becomes dominated by his favourite of the concubines, Palmira (Polly Walker), who has no interest in Storey as a lover, despite what their contract might stipulate. Philip dies, the concubines' contracts expire, and Storey is left alone with Giulietta (the titular "½", played by Manna Fujiwara) and of course the money and the houses.